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Nazir (also written as 'Nazir Ahmad Khan') (1910–1983) was a Pakistani/Indian film actor, director and producer. He was the first successful film hero in pre-independent India and later in Pakistan. Nazir was associated with almost two hundred films during his career, which spanned over a period of 55 years. Nazir Ahmed was widely known as Bao Jee in the film industries in India and in Pakistan.〔(【引用サイトリンク】 title=Nazir Ahmed Khan )〕 ==His Film Career== It was in the late 1920s when Nazir went to Calcutta along with A.R. Kardar, and appeared in a character role in Kardar's ''Sarfarosh'' (aka 'The Daring One') in 1930. Kardar later made ''Heer'' in which Nazir played the role of the Qazi. Both these films are from the silent era. He also did a secondary role in Kardar's ''Farebi Daku'' also called ''Mysterious Bandit'' (1931). Nazir's artistic elegance and excellent command over acting won him applaud all across the industry and resulted in him going to Bombay. During this period he was cast in important leading roles in 'Rajputana Ka Sher', 'Chandaal Chaukri', 'Badmaash Ka Baita' and 'Pahari Sawar'. In 1934 he went back to Calcutta on the request of his old friend Kardar to act in important roles in his productions of ''Chandragupta'' (1934), ''Sultana'' (1934), ''Milap'' (1937), 'Mandar', 'Night Bird' and 'Aab-e-Hayat'. He also worked as the lead in Ezra Mir's 'Badroohi' and 'Zareena'.〔 In Calcutta Nazir won laurels for his dynamic role of Chanakya in ''Chandragupta''. Nazir had his head shaved off completely to authentically perform the role of the cunning prime minister. In 1938, both Nazir and Kardar moved to Bombay and under Kardar's banner he performed his most well remembered and renowned character role in ''Baghban'' (1938), which besides creating box office records also established Nazir's name as one of the most well refined sensitive and matured actor of his era.〔 Nazir was one of the pioneers of the film industry in India. He is the only hero in history to have been cast opposite 35 actresses most of whom were the reigning queens of their time. Nazir started producing and directing films under the banner of Hind Pictures and established a Studio in Bombay under the same name, although this did not stop him from accepting assignments from other producers.〔 Nazir was associated with almost 200 films during his career, which spanned over a period of 55 years. Only a few artistes have contributed more to the development of cinema in the sub-continent than Nazir. He was a talented actor, a vibrant director and an astute producer. ''Shokh Dilruba'', ''Sher ka Panja'', ''Shama'', ''Midnight Mail'', ''Swami Pooja'', ''Apni Nagaria'', ''Laila Majnu'', ''Wamaq Azra'', ''Sandesha'', ''Kaljug'', ''Society'', ''Chher Chhar'', ''Aabroo'', ''Salma'', ''Gaon Ki Gori'', ''Maa Baap ki Laaj'', ''Yaadgar'', ''Malika'' and ''Abida'' and several other hit films of that era are credited to his name. He also produced and directed many of them. Most of the films directed by him became Silver Jubilee hits.〔 Nazir started 'Hind Pictures' company in Bombay. Nazir's studio and the offices of ''Hind Pictures'' were burnt down during the independence riots in 1946–47 in Bombay and in 1947, Nazir migrated to Pakistan. He left everything he had behind in Bombay and shifted to Lahore. He started from scratch and in the process became one of the pioneers of the Pakistan film industry.〔 He produced and directed ''Saachai'', as his first film in the newly born Pakistan. It was followed by the first Silver Jubilee film of Pakistani Cinema, Pheray in 1949. Nazir completed ''Pheray'' in just one month, followed by ''Laarey''. His other movies include ''Shehri Babu'', ''Anokhi Daastan'', ''Shamaa'', Heer (1955 film), ''Khatoon'', ''Noor-e-Islam'' and ''Azmat-e-Islam''.〔 During the 1960s, he disassociated himself from Pakistani cinema, with the decline in this industry. He could not reconcile himself with the qualitatively declining trends in this industry.〔 抄文引用元・出典: フリー百科事典『 ウィキペディア（Wikipedia）』 ■ウィキペディアで「Nazir Ahmed Khan」の詳細全文を読む スポンサード リンク
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